We use the words bhakti and rasa and
sometimes the word bhakti-rasa. Bhakti
is commonly translated as devotion and yet it is something more than that – it
is a devotional union. What is bhakti
other than the absence of vibhakti? Vibhakti is separation
and bhakti is union. It is only in the struggle of the separate in
its search for some union that any movement of consciousness can be felt.
Unconsciousness is the result of vibhakti and consciousness is the
result of bhakti. And rasa is nothing but a palpable
movement from unconsciousness towards consciousness.
In fact the nava (nine) rasas when it
comes down to the level of societal interaction are the reflected approaches
roads to bhakti from different relational and emotional
standpoints. And these rasas such
as shrungaara(love), haasya(laughable, amusing), bheebhatsa(disgust),
adbhuta(wonder), veera(heroic), raudra(fierce), bhayaanaka(fearful),
karuna(compassion) and shaanta(peace) are all human emotions
resulting in a movement from separation to union. These are but nine types of waves and when
these waves subside, the calm and deep waters of bhakti can be
felt. Diluted samples of these rasas
play out in our worldly relations too. The
worldly is after all only a subset of the divine. And similarly the
worldly experience of rasa is a subset of the one and only rasa
that is true - and this is the bhakti-rasa.
In literary creative works, authors introduce the rasas
to make the story interesting and captivating to an audience. And yet without the intent of a central
union, the use of rasas will become an instrument only for
entertainment. And there is no end to
it. Because the more you entertain the
mind, the more it will ask for the same. And this is also a mild form of
addiction and not much else. To effectively use the nava rasas in a
natural and appropriate manner, and through it, string the reader's awareness to
his innermost self, is a tall ask - one that can only be met by a mahaakavi
– an accomplished poet.
If there is some tangible truth within one’s words
and if it can touch your core, then such work can be considered to be of value.
Else it may fall by the wayside like millions of works that are daily
consigned to the dustbin of a forgotten past.
Rasaanubhava – the
experience of rasa, is nothing but the touch of a bhaava (a
release of a sense of feeling from the depths of your inner emotive self) that
is beyond the material - it cannot be talked about - any word is violence and
no true rasa can survive within a sphere of violence - because true rasa
is ahimsa. It is like a mystical vibrating column of soft light -
the moment you let loose the noise of your opinion on it, it disappears.
The moment you make an effort to delineate its qualifications, you cast
the shadow of the human ego on it and it disappears - true rasa must
come effortlessly - anaayaasena. The moment you try to touch it,
it collapses at the very proximity of human minds. It is too gentle, too
soft, too sacred to be bounded or touched. It is asprha
(untouched).
The conditioned mind is opaque to this gentle
touch. In school one must ingest the rules. But what one must drink
and digest must be more than the rules of verse – it must be the nectar of life
- if a single memorable verse or sentence must flow through one’s work.
No amount of grammar or meter or vocabulary can give it any lasting
value. It is like trying to labour and deliver without becoming pregnant!
First we must become pregnant, then our expression will become pregnant,
and then in due course a beautiful offspring will be produced. And in order for
our words to become pregnant, no amount of going around the trees will do.
You must experience union – you must experience bhakti! It is only
then that a mysterious dimension of depth will get attached to one’s words and
do their work in their own way. It is not one’s work; it is the work of
that experience, of the truth that it carries. Words arise and fall.
It is only that which is transmitted between the words that stays – that
invisible clear water like fluid is rasa – and it is felt as a result of
bhakti.
Published in the New Indian Express - September 11, 2014 - Section 'Soulful' {Bangalore Edition}
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